
at DAR Constitution Hall, 1776 D St. NW, Washington, DC 20006
Wednesday, November 18, 7 p.m.
Puccini’s Madama Butterfly remains one of opera’s most enduring works, telling a love story as fragile and fleeting as its namesake.
In turn-of-the-century Nagasaki, American naval officer Pinkerton marries the young geisha Cio-Cio-San, known as Butterfly. Innocent and devoted, she builds her life around his promise, until betrayal shatters her world and leads to one of opera’s most unforgettable finales.
In this striking new production, directed by E. Loren Meeker and designed by Walt Spangler, WNO’s innovative “Revolutionary Stage” becomes the bustling port of Nagasaki. Evocative period costumes, choreography by Japanese movement specialist Kanji Segawa, and designs by Florence Klotz draw audiences close to Butterfly’s emotional journey.
Korean soprano Karah Son makes her company debut in the title role, joined by tenor Matthew White as Pinkerton and former Cafritz Young Artist Michelle Mariposa as Suzuki.
Japanese-German conductor Erina Yashima leads the orchestra, bringing Puccini’s luminous score—including the Act I love duet and “Un bel dì”—to ravishing life.
Composer | Giacomo Puccini
Librettist | Luigi Illica and Giuseppe Giacosa
Sung in Italian with Projected English Titles
Runtime is 2 hours and 40 minutes including a 25-minute intermission
Tickets range from $57.60 to $329 (includes all processing fees)
Limited premium seats ranging from $219 to $329 available directly through WNO - email us.
All other tickets are available through Ticketmaster only.
We strongly advise against purchasing tickets from third-party sellers who might charge exorbitant prices.
Cio-Cio San | Karah Son*
Pinkerton | Matthew White
Sharpless | Will Liverman
Sharpless | Thandolwethu Mamba^
Suzuki | Michelle Mariposa^^
Goro | Rodell Rosel
Bonze | Atticus Rego^
Kate Pinkerton | Lauren Carroll^
Yamadori / Registrar | Chandler Benn^
Imperial Commissioner | Robert Frazier^
Conductor | Erina Yashima*
Director | E. Loren Meeker
Scenic Designer | Walt Spangler
Costume Designer | Florence Klotz
Lighting Designer | Duane Schuler
Projection Designer | Alexander V. Nichols
Choreographer | Kanji Segawa
Sound Designer | Andrew Harper
Scenery and properties built by San Francisco Opera Scene Shop, Legacy Scenic Studios, and Cobalt Studio
*WNO Mainstage Debut ^Cafritz Young Artist ^^Former Cafritz Young Artist

Karah Son is Cio-Cio-San

Matthew White is Pinkerton

Will Liverman is Sharpless

Michelle Mariposa is Suzuki

Rodell Rosel is Goro

Thandolwethu Mamba is Registrar

Atticus Rego^ is Bonze

Lauren Carroll^ is Kate Pinkerton

Chandler Benn^ is Yamadori / Registrar

Robert Frazier^ is Imperial Commissioner

E. Loren Meeker, Director

Kanji Segawa, Choreographer

Jessica Lang, Choreographer
General Dynamics
Jacqueline Badger Mars
Dallas Morse Coors
In gratitude for an exceptional, substantial, and transformative contribution from the Dallas Morse Coors Foundation, Washington National Opera dedicates this production of Madama Butterfly to the foundation’s benefactor, Dallas Morse Coors, in recognition of his philanthropic legacy and passion for the classical cannon.
WNO’s production of Madama Butterfly is generously supported by Betsy and Ed Cohen
Act I
Japan, early 20th century. Lieutenant B.F. Pinkerton of the US Navy inspects a house overlooking Nagasaki Harbor that he is leasing from Goro, a marriage broker. Goro has also arranged for Pinkerton to marry Cio-Cio-San, a young woman known as Madama Butterfly. The American consul, Sharpless, arrives for the wedding ceremony and Pinkerton describes to him his philosophy of the fearless Yankee roaming the world in search of experience and pleasure. Sharpless warns him that his bride may view the marriage more seriously. After the formal introduction, Cio-Cio-San explains that her family was once prominent but lost its position, and she has had to earn her living as a geisha. The Imperial Commissioner reads the marriage agreement and the relatives congratulate the couple. Butterfly’s uncle, the Bonze (a priest) interrupts the festivities. He curses the girl for rejecting her ancestral religion, and the shocked relatives denounce Cio-Cio-San as they swiftly leave the house. Pinkerton tries to console his “Butterfly” as they are left alone on their wedding night.
Act II
Three years have passed, and Cio-Cio-San awaits her husband’s return. Suzuki prays for help but is berated for believing in Japanese gods rather than in Pinkerton’s promise to return “when the robins nest again.” Sharpless appears with a letter from Pinkerton, but before he can read it, Goro arrives with a new potential husband, Prince Yamadori. Butterfly politely insists she is not available for marriage—her American husband has not deserted her. Sharpless attempts to read Pinkerton’s letter but is repeatedly interrupted. Giving up, he asks her what she would do if Pinkerton never returned. Cio-Cio-San replies she would either become a geisha again, or better, die. After Cio-Cio-San introduces her son, Trouble, Sharpless leaves, promising to tell Pinkerton of the child. A cannon shot is heard in the harbor announcing the arrival of Pinkerton’s ship, the Abraham Lincoln. Overjoyed, Cio-Cio-San joins Suzuki in strewing the house with flowers. As night falls, they keep vigil, waiting through the night for Pinkerton.
Act III
At dawn, Suzuki insists that Cio-Cio-San get some sleep. Sharpless appears with Pinkerton and Kate, Pinkerton’s new wife. Suzuki realizes who the American woman is and agrees to help break the news. Pinkerton is overcome with guilt and runs from the scene. Cio-Cio-San rushes in hoping to find Pinkerton but sees Kate instead. After a moment, she grasps the situation. She agrees to give up the child but insists Pinkerton return for him. Once she dismisses everyone, she takes out the dagger with which her father committed suicide, reading the inscription, “It is better to die with honor than live without it.”

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General Dynamics
Jacqueline Badger Mars
Dallas Morse Coors
Washington National Opera
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